Catalogue des films de « Michael Snow »

Dans le monde de Snow, voir n'est croire qu'occasionnellement, et essayer de comprendre exactement quand s'avère une déroute.

""See You Later" is constructed on an extremely slow movement. The camera is set up on a fixed tripod and pans over the arc of a circle, in reality in a 30 second shot, but which in projection takes 17 minutes. "See You Later" is a phrase which...

"The idea of "Breakfast" was born during a conversation with Hollis Frampton. They were wondering what "Wavelength" would have looked like if the film had been built on a physical tracking shot rather than on a zoom, when Snow had the idea that...

""La Région" becomes simultaneously micro and macro, cosmic-planetary as well as atomic. Totality is achieved in terms of cycles rather than action and reaction. It’s above that. "La Région" isn’t only a documentary photographing of a...

"The bookcase that I had painted and used in the opening scene of "Wavelength" was still in the studio in 1970, but it had become filled with a great variety of objects that were related to my work. I shot a 35mm slide of it and then, seated in...

"It is a kind of demonstration or lesson in perception and in concepts of law and order and their transcendence. My films are (to me) attempts to suggest the mind of certain states of consciousness. They are drug relatives in that respect. "<--->"...

""Wavelength" was shot in one week in December 1966, preceded by a year of notes, thoughts, mutterings. I wanted to make a summation of my nervous system, religious inklings, and aesthetic ideas. I was thinking of, planning for a time monument in...