Catalogue des films de « Manon De Boer »

According to Luciano Berio, a "Sequenza" is a solo music, an instrumentalist, his instrument. With this dual objective, the composer aims at all the musical, social and historical relationships. Heard for the first time, the composition imposes...

Her previous films, "Sylvia Krystel-Paris" (FID 2004) and "Le temps qu’il reste" (FID 2008), already explored the spaces of music and speech in cinema, between picture and sound, seeing and listening. With One, two, many, Manon de Boer pursues...

Fragments of the life and thinking of percussionist Robyn Schulkowsky are situated in the history of avant-garde music during and after the seventies. Poetic portrait of Robyn Schulkowsky, who has worked with John Cage, Karlheinz Stockhausen, John...

In "Dissonant", Manon de Boer films dancer Cynthia Loemij while the latter dances for about 10 minutes to Eugène Ysaÿe’s 3 sonates for violin solo – a piece that holds vivid memories for her. The camera follows her every movement. A physical...

"Manon de Boer pursues the exploration between music and cinema introduced in "Presto- Perfect sound" (2006). This new proposition again moves the game of distance and proximity between sight and what is heard. "Le temps qui reste (etudes...

In Manon de Boer’s new film installation, entitled Attica, music again plays an important role. The work is based on the composition of the same title from the American Frederic Rzewski, which was written in 1971, as well as Coming Together,...

Of particular interest to de Boer is the assumption that during the course of a film screening, the actual space of the viewer and the fictive space of the film are diffused by the viewer’s subjective mechanisms of perception. Thus in Two Times...

"Captured Cities" is a video portrait of two cities - Casablanca and Fez - through the eyes of two women who live there. These women guide us through their public and private spaces within their daily urban life. They speak about themselves,...

In the two previous films by Manon de Boer, George van Dam was audible but invisible. Here, he plays the violin on the screen. He interprets the fourth movement of the unique and ultimate Sonata for solo violin, Sz 117, composed by Bela Bartok in...

As a follow-up to Sylvia Kristel – Paris, Manon de Boer has once more chosen to sketch the portrait of a female destiny – that of the Brazilian psychoanalyst, Suely Rolnik. A major figure in her homeland, imprisoned during the discreet but...