Catalogue des films de « Chris Welsby »

A study of winter light falling on the surface of water, metal, fog and cloud. The dominant colour is grey; grey infused with a multitude of ocean blues and greens. There is little land in this film and very few landmarks from which to navigate...

An idyllic river flows through a forest, flashes of light and colour threaten to erase the image, bursts of short wave radio and static invade the tranquillity of the natural sound. The camera searches amongst the craggy rocks and ruined buildings...

The film was shot from a small cabin boat moored near the mouth of the Keyhaven River. This is a place known to me since my childhood and the location for several paintings, films, and photographic pieces. The camera was fixed relative to the...

It is a continuous, "real time" tracking shot of a stream bed. The camera was suspended in a motorized carriage running on steel cables three feet above the water surface. The camera pointed vertically downwards recording the contours of the...

This film is based on the colour separation process. High contrast film stock was run three times through a stationary camera; once for each of the light primaries. In the composite image, anything moving is represented in primary or secondary...

The location for this film is a small London park. The camera angle remained unchanged throughout but the filming speed changed according to the wind speed. The camera motor was driven by an anemometer, a device used to measure wind speed, the...

The location for this film was by a small stream on the northern slopes of Mount Carningly in southwest Wales. The seven days were shot consecutively and appear in that order. One frame was taken every ten seconds throughout the hours of daylight....

The camera was placed on the flexible branch of a tree in a strong wind. The composition included both stationary and moving trees (a wooded landscape). The relationship of this landscape to the vertical and horizontal plane was maintained as much...

The camera films a park landscape through the flat mirror blades of a small windmill. The film was shot in one continuous four hundred foot take. The rhythm is determined by the speed and direction of the wind. The rotation of the mirrored...

The overall pacing of this film was dependent on the flow of people along a busy park pathway in London. One frame was taken each time a person on the pathway moved into the picture and one frame was taken again as they moved out. The procedure...