Catalogue des films de « Babette Mangolte »

“This documentary about the ‘models’ of Robert Bresson’s film Pickpocket (1959) investigates Bresson’s method and direction and reveals the persona of the people whose lives were changed during the summer 1959 by the making of the film...

“Two women are in search of a home in the Southern California landscape. From the outside looking in, they see the single family home as the locus of the exclusion of the other. It is also unaffordable. They both feel as if they are invisible...

"Fire in the East : A Portrait of Robert Frank" presents an intimate view of four decades of Frank's life, films, and photographs. Many people with whom he has worked in the past are interviewed, including Allen Ginsberg, Emile de Antonio, Jonas...

“This film explores the concept of wilderness that was unknown to me when I was raised in France... The unmapped vastness was compelling. I went off the road, slept in the wild and exposed myself to the elements, to feel in my muscles and bone...

« Un film “narratif” centré sur de jeunes artistes vivant à New York vers 1979. Le film parle d’un certain stade dans l’évolution d’une jeune artiste, qui aborde le monde réel selon sa propre notion idéaliste de ce que l’art est...

“An essay on displacement and disjointed spaces in Southern California, the film presents a series of questions. Where are the voices, here or over there? And what we see is it near or far? Are the voices a commentary on what we see, or...

A mother writes to her daughter who has left for the Americas... A mother’s letters, simple letters, love letters. A small voice from Europe still trying to make itself heard.

“An exploration of the act of shooting photographs. The film wants to make the spectator identify with the eye of the photographer on her subjects and the city she lives in, New York. It uses a technique of ‘subjective camera’, to give the...

“I shot ("Now") in two hours more or less keeping everything that was shot in continuity of the shooting in which I improvised with two performers and friends, Linda Patton and James Barth. The film shows a manipulation of objects and a kind of...

FICTION Jeanne Dielman, a middle-aged widow, lives in Brussels with her seventeen-year-old son. Her life is organised like a mechanical ballet of domestic gestures. Jeanne Dielman cooks, sets the table, serves her son, dines, clears the table....