Catalogue des films de « Aline Blondiau »

À l’heure de la déploration du politique comme occupation gestionnaire, de la suspicion sur toutes formes d’idéologies, des railleries sur toutes entreprises quelque peu radicales, que reste-t-il de ce qui lie les individus entre eux ? Où...

Her previous films, "Sylvia Krystel-Paris" (FID 2004) and "Le temps qu’il reste" (FID 2008), already explored the spaces of music and speech in cinema, between picture and sound, seeing and listening. With One, two, many, Manon de Boer pursues...

Fragments of the life and thinking of percussionist Robyn Schulkowsky are situated in the history of avant-garde music during and after the seventies. Poetic portrait of Robyn Schulkowsky, who has worked with John Cage, Karlheinz Stockhausen, John...

Portrait en creux d’une femme, ma tante, française émigrée aux États-Unis à la fin des années 50 et décédée en 2000, juste après sa nationalisation. Sa vie se dessine, s’esquisse, par les objets laissés, les souvenirs des voisins,...

"Manon de Boer pursues the exploration between music and cinema introduced in "Presto- Perfect sound" (2006). This new proposition again moves the game of distance and proximity between sight and what is heard. "Le temps qui reste (etudes...

In Manon de Boer’s new film installation, entitled Attica, music again plays an important role. The work is based on the composition of the same title from the American Frederic Rzewski, which was written in 1971, as well as Coming Together,...

Of particular interest to de Boer is the assumption that during the course of a film screening, the actual space of the viewer and the fictive space of the film are diffused by the viewer’s subjective mechanisms of perception. Thus in Two Times...