Catalogue des films de « Christophe Bisson »

En l’Abbaye d’Ardenne, dans la somptueuse salle de lecture de l’Institut Mémoires de l’Édition Contemporaine (IMEC), Isabelle Ullern ouvre une à une les boîtes contenant les archives de Sarah Kofman. Avec elle, nous plongeons dans...

Painter Bernard Legay spends his nights and days in a desinhabited world, gathering the silent matter his work is made of.

Far from their former reality, in an ancient now deserted palace, a group of men and women share their life stories and explain how they survived, living and sleeping in the streets of Porto.

The film, freely based on Georg Büchner’s novel "Lenz", draws the wandering lines of the walker, who is going forward on the line overhanging his own abyss of madness.

At the Rayon Vert Hotel in Cerbère. From one room to another, from inside to outside, from the outside light to the darkness of the cinema, the filmmaker, echoing Jean-Claude Rousseau, presents an “attempted silent self-portrait”. The windows...

For decades Sarah drew hollow-eyed, gaping faces on Bristol cards. These faces without bodies or sex emerged from blank backgrounds: unworthy stains furiously crossed out and scratched, if not erased. When she died in 1994, her close relatives...

Main shot: a trade show for funeral accessories, its stalls, it’s inevitable objects, its decorum, an unreal image. And as an extra, "Go Down Moses" and its overdramatic strains. Reverse shot: reading of fragments of "The Funambulistby" Jean...

"Veiling a risen Christ, scratching out and scribbling on reproductions of master- pieces in a concentrated silence, the man is engrossed in a task that is as destructive as it is creative. The camera follows each of his gestures, which...

Total laryngectomy, a mutilation that affects the face and the voice, can be lived as a profound metamorphosis. Joël Perrotte undertook that surgery in 2007. After becoming mute, his first reaction was to retreat from the outside world, in the...

"The title promises open spaces, the open road, a grandiose trip but the first thing the film bumps into are the white walls of a psychiatric institution. This does not stop Christophe Bisson rising to the challenge of the film’s title. How? By...