Catalogue des films de « Bruno Schweisguth »

She was 102 years old. It was the end of summer 2018. My grandmother made the choice to leave France to come and die in Belgium. The choice of a 'sweet and easy' death - euthanasia in Greek. I look back at what preceded her ephemeral exile and my...

Une cité en acier qui fait jaser dans le voisinage. Des maisonnettes japonisantes dessinées par leurs futurs acheteurs. Un chantier en kit confié à des étudiants. À Bruxelles, Liège et Charleroi, trois architectes et une poignée...

In Brussels, in the 90s, people still dream here and there of utopias and brotherhood between peoples. The school aims to be the champion of multiculturalism, progress and equality. Four young girls from different origins grow up in this context...

For "Prism" Belgian filmmaker An van. Dienderen invited Brussels based Rosine Mbakam from Cameroon and Paris based Eléonore Yameogo from Burkina Faso to make a film in which the differences in their skin color serves as a departure to explore...

Ada is nineteen. A man she knows invites her to dinner and she accepts. Everything goes so quickly. She doesn’t defend herself. Her body is wounded, her mind in tatters. Ada’s story is intertwined with others, each one different yet all the...

How does work, sport, cultural and sexual norms define one's body and identity? This film offers a visual and auditory, sensuous and sensorial exploration of the female bodybuilder's body.

The Marolles, in the heart of Brussels. Almost 65 years after their inauguration, the “Bains de Bruxelles” continue to provide the residents of this working-class district with two swimming pools and a number of public showers, offering a...

Victor is 17. He is gradually losing his eyesight. That is irrevocable. Refusing his handicap, Victor fights to live like an average teenager and becoming an adult just like the others. Today, Victor is ready to take off to go to University and...

Kevin est un garçon difficile, fugueur, casseur, mutique, avec une oreille coupée. On dit de lui qu’il souffre d’une forme d’autisme si sévère que la plupart des institutions refusent de l’accueillir. Ce film propose de le suivre...

At the beginning, there was André, the bad horse. And Pik Pik, the magic pig. One day, in a classroom at La Cambre, an artistic school in Brussels, Stéphane Aubier met Vincent Patar. Or was it the opposite? And it was the beginning of thirty...